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Chris Collins has always been a mountain boy at heart. Raised in the rolling hills
of Wisconsin farmland, Chris’s love for the high country began early with family
trips to the Smokey Mountains and later to the great west mountain ranges.
You don’t have to listen closely to hear the effect that the outdoors has had on him.
Music became a serious part of Chris’s life when he learned to play guitar at the
age of seventeen. He played his way through college and all the way to Colorado,
where he had some close brushes with fame. He appeared on network television
shows in Milwaukee and Denver. After a fifteen year absence from music, Chris
returned to the music scene in 2002 and was selected as one of the top ten regional
Singer/Songwriters at the 2002 Kerrville Folk Festival.  The release of his first album,
Alberta Skies, is a gift to all of those who have a passion for the wilderness.
 

Review from mytexasmusic.com

I’m not always comfortable telling you that an artist ‘sounds like’ another artist, or ‘looks like’ another artist, but you’ll have to forgive me this time.  Chris Collins is a big John Denver fan and loves the outdoors, especially the mountains.  Sounding familiar?  I remember seeing Chris for the first time at the Green Mountain Energy Folk Music Festival in Houston and as he took the stage I noticed a slight similarity to John Denver.  The ever-present smile, the round wire-rim glasses, the sandy brown bangs, and a certain stature just took me there.  Then Collins sang.  While he’s not trying to be a Denver knock-off, he possesses some of the same tonal qualities which made Denver famous.  Enough of the comparison, because that’s where it ends.  Chris Collins has a rich Texas-tuned voice that exudes comfort and trust as he spins songs about the pleasantries of nature, beauty, family, and legend.  This disc was expertly produced by Collins with the recording tools of Haniel Trisna and 6 Tone Productions.  Now if you’ve been reading my reviews for years, you know that I like it when 6 Tone sticks to rock music, but I must say this disc breaks the stereotype.  Whatever their level of involvement, it was just enough, and under Chris’ guidance, this shapes up to be a fantastic disc.  The award nominating committee will look long and hard at this CD.  Collins’ vocals are superb, Jeff Duncan’s fiddle/violin work is perfect, and Wayne Wilkerson turns in an award-worthy performance as well.  The CD is “ALBERTA SKIES".

 

 

  Review from Bill Reed, freelance music critic

 Like a breath of fresh country air, Houston-based singer/songwriter Chris Collins brings his own unique impressions of folk music forward into a recently released debut CD album, Alberta Skies.    From the very first track onward, his stylish blending of old-school folk rudiments with Neo-John Denver vocal arrangements is indeed reminiscent of the kind of acoustical genres popularized during the sixties and early seventies. Throughout the album, Collins combines various intricate, stationary-picking styles on guitar and five-string banjo with vocally harmonious melodies that range from caressing legatos to toe-tapping, syncopated belts of exuberance.  His mosaic mix of playing and singing ventures along a complete spectrum of musical mood—from the light-hearted lilts of Wildflowers and the bluegrass strains of Jack Daniels to the more moving and solemn meaningfulness involving the cycle of generational responsibility explored in the ballad-styled Daddy's Farm.

   Beyond the mantras of wilderness-territory yearnings exemplified in the opening title track, the joyous The Rhythm—a favorite opener in his live stage acts and a signature number of sorts—is definitely a "keeper" and one of his staple tunes of hand-clapping motion. The thoroughly Denverish Cheyenne and Mountain Rose are two of the best cuts on the album. The more pop-contemporary Synchronicity unmistakably has that proverbial "hook" to it that all songwriters diligently shoot for. Not only do I believe that this particular piece deserves some airplay, but I also think it would make an excellent background love song soundtrack for a romantic comedy film.

    Fresh and exhilarating, this new collection of songs is a veritable triumph for the folk-bluegrass style of music in the new millennium. Those who enjoy purist folk music, or even older style acoustic-based country toward the bluegrass side, will find a great listen in Alberta Skies.

 

--Bill Reed

Houston Freelance Music Critic